Vor dem riesigen Gemälde eines Gespenstes, das nicht aufhört zu weinen, entfaltet es sich ein bedrückender und begrenzter Raum, in dem Wesen fern von aller Höflichkeit zu üben angewiesen sind und Gewalt empfangen, schöne Choreografien tanzen und männliche Bilder anbeten. Körper indoktriniert Angst einflößen und Terror regieren lassen, dessen bloße Anwesenheit "das Spektakel der Macht" konfiguriert.
Diese Stuck untersucht auf abstrakte Art und Weise, wie Gewalt bewohnen und überwältigen die bestehenden Polizeikräfte in unseren demokratischen Gesellschaften, evozieren die Schändung des menschlichen Körpers als einzige Form der Indoktrination, Bestrafung und Kontrolle.
Regie: Marco Layera Navarro
Dramaturgie: Elisa Leroy y Martín Valdés-Stauber
Regie Aushilfe: Humberto Adriano Espinoza y Katherine Maureira
Produktion: Victoria Iglesias Álvarez de Araya
Design: Sebastián Escalona y Cristian Reyes
Technischer Chef: Karl Heinz Sateler
Musik: Andrés Quezada
Produktion: Teatro La Re-sentida / Münchner Kammerspiele
Co-Produktion: Matucana 100 y Schaubühne am Lehniner Platz
Schauspieler: Carolina de la Maza, Diego Acuña, Pedro Muñoz, Nicolás Cancino, Carolina Fredes, Imanol Ibarra, Mónica Casanueva, Lucas Carter, Imar Mercedes
FlapD-0.506: Estudio de comporamientos impredecibles
for dance performer, saxophones, electric guitars, visuals and electroacoustic device in real time
Premiered on November 13, 2021
Centro de Extensión Oriente UC
XXX Festival de Música Contemporánea UC
Project financed by the Vicerrectoría de Investigación Universidad Católica de Chile
Cristian Morales Ossio – musical composition and general direction
Camila Rojas Cannobbio – scene and movement direction
Valentina Serrati – visual and scenic creation and direction
Catalina Reyes – dance
Vicente Barba – electric guitars
Karem Ruiz – saxophones
Luna Morales – production and image assistant
Andrés Quezada – electroacoustic device programming
Sofía Lagos – register of the creative process
Laboratorio de Malestar consists of improvisation sessions carried out in the initial moments of the Chile's October Revolt. These sessions have the participation of musicians belonging to different bands of the national and electronic scene.
Andrés Quezada – drums
Enrique Elgueta – electric guitar, drum machine
Martín Pérez-Roa – electric bass, synthesizer
TMTQ is a quartet for soprano saxophone, tenor saxophone and two electroacoustic musicians. They present a free improvisation platform focused on real-time signal processing.
Clemente Salas – soprano saxophone
Sebastián Agurto – tenor saxophone
Francisco Riffo – electronics
Andrés Quezada – electronics
Narval Orquesta is a ensemble of eleven musicians from Santiago, Chile. They present an eclectic fusion of genres throughout their compositions, ranging from art pop, experimental rock, free jazz, electroacoustic music and various influences of contemporary classical music. Through their music they propose a critique and revision of the current musical forms, bringing together aspects of the popular music with more radical proposals, like free jazz, spectral music procedures or free improvisation, breaking down the conceptual gap that has existed between these genres for much of the history of contemporary music. In this way their compositions are a story of the current musical happening, wondering which are the new limits and problems that afflict the development of music today and what are the existing crossings between popular music and written tradition, combining different heterogeneous elements in the same sound universe.
Clemente Salas – alto saxophone, soprano saxophone
Sebastián Agurto – tenor saxophone
Valentina Bianchi – violin
Abigail Seguel – viola
Valentina Palomino – violoncello
Camilo Roca – double bass
Felipe Valdovinos – electric bass
Felipe Mellado – piano
Pablo Espinoza – vibraphone
Francisco Riffo – keyboards, electric guitar, electronics
Andrés Quezada – drums, clarinet, musical saw, electronics
Bomba Mori is an electroacoustic music trio formed in Santiago, Chile. His music unfolds as a collage of contradictory situations that flow through different musical genres.
Nicolás Fuente – turntables, processed objects, trumpet
Francisco Riffo – sampling, keyboard
Andrés Quezada – real-time processing, keyboards, clarinet
tortuganónima is a math rock band formed at the beginning of 2012 in Santiago, Chile. They are known for their use of effects and loops on guitars, lines bass nurtured in turn by pedals and spasmodic rhythms in the drums. its sound is a mix between math rock and post-rock, with some tints of progressive rock, noise rock and ambient.
Gérard Bertin – electric guitar
Gabriel Molina – electric guitar
Felipe Valdovinos – electric bass
Andrés Quezada – drums