Vértice de una Espiral
for percussion quartet and live electronics
Hi-Hat quartet where amplification plays a preponderant role in the musical narrative of the piece. There is a continuous dialogue between the acoustic and the digital media, blending and separating both sound layers as the piece progresses.
Studies for Disklavier
for MIDI piano
Four studies for Disklavier that explore different processes regarding synthesis, rhythms, intervals and dynamics.
Desunir la Convergencia
for e-viola, e-violoncello and modular synthesizer
The work explores the points of similarity and contrast between both instruments and its constant contradiction through the real-time processing done by the modular synthesizer.
for alto saxophone, tenor saxophone and live electronics
Multifuerza is a composition about anxiety. With the use of electronics, it highlights the most intimate sounds of the instrumentalists: the air that runs through their instruments and percussive hits that they play on the body of their saxophones. On the other hand, it amplifies brutal and scratchy sounds, product of the desperation of being in a state of anxiety. The work executes a relationship between sound, body and hearing in a dialogue between two subjects trying to deal with their oppressions.
for ensemble and electronics
The work involves the exploration of several amplitude changes by an algorithm that controls the dynamics of a directed improvisation of a free-jazz ensemble. Every channel represents one of the musicians in the ensemble. Several volume automations are created digitally, resulting in a series of envelopes of different shapes and durations. A new sense of rhythm arises in these fragments, which are possible only through systematic automation and digital modulation, blurring the line between acoustic and digital media.
for snare and live electronics
Defragmentar works with the analysis of sound parameters to amplify and modify the sound of the snare in real-time. Through the use of audio descriptors, the drum is analyzed by two microphones and a hall-effect sensor to trigger sounds from a library of 4632 samples of gamelan, rocks, glasses and short, resonant sounds, thus giving a new sound to the sonic possibilities of the drum, balancing a timbral similarity between the drum and the samples played. The result in a symbiosis between the acoustic and electronic worlds.
for tenor saxophone and live electronics
The work explores the possibilities of real-time synthesis in a series of four small variations, which include elements of the main theme throughout the development of the work.
for drum set and live electronics
The work analyze the signals of five microphones around a drum set, which are used to process and synthesize real-time electronics in a stereo system. The structure of the work has a progressive directionality, adding different elements of the instrument as the work progresses.
The work uses the first 22 partials of a 32 "tam-tam, which was subjected to a spectral analysis and resynthesis of its harmonic materials for alternative heights. The work presents a rhythmic system in constant increase and decrease, providing delays and encounters throughout the sections.
for drum set and live electronics
The work analyze the signals of six microphones around a drum set, which are used to process and synthesize real-time electronics in an eight-channel system. The structure of the work has a progressive directionality, adding different elements of the instrument as the work progresses.
The work explores the tonal and melodic possibilities of the resonances of a cymbal in the context of a chamber ensemble. The material of the work develops from the analysis and spectral resynthesis of a 26" tam-tam, from which all sound materials are extracted and interpolated. The composition explores the tonal divergences and acoustic phenomena of electronic procedures in a chamber ensemble, using procedures like frequency modulation and ring modulation synthesis in order to obtain different sounds from the analysis of the tam-tam.