Before the giant painting of a ghost that does not stop crying, it unfolds an oppressive and liminal space, where beings far from all civility are instructed to exercise and receive violence, dance beautiful choreographies and worship virile images. bodies indoctrinated to inspire fear and make terror reign, whose mere presence configures "the spectacle of power".

This work abstractly investigates the ways in which violence inhabit and overwhelm the existing police forces in our democratic societies, evoking the desecration of the human body as its only form of indoctrination, punishment and control.

Direction: Marco Layera Navarro

Playwrights: Elisa Leroy y Martín Valdés-Stauber

Direction Assistance: Humberto Adriano Espinoza y Katherine Maureira

Production: Victoria Iglesias Álvarez de Araya

Design: Sebastián Escalona y Cristian Reyes

Technical Supervisor: Karl Heinz Sateler

Music: Andrés Quezada

Production: Teatro La Re-sentida / Münchner Kammerspiele

Co-Production: Matucana 100 y Schaubühne am Lehniner Platz

Cast: Carolina de la Maza, Diego Acuña, Pedro Muñoz, Nicolás Cancino, Carolina Fredes, Imanol Ibarra, Mónica Casanueva, Lucas Carter, Imar Mercedes

FlapD-0.506: Estudio de comporamientos impredecibles

for dance performer, saxophones, electric guitars, visuals and electroacoustic device in real time

Premiered on November 13, 2021

Centro de Extensión Oriente UC

XXX Festival de Música Contemporánea UC

Project financed by the Vicerrectoría de Investigación Universidad Católica de Chile

Cristian Morales Ossio – musical composition and general direction

Camila Rojas Cannobbio – scene and movement direction

Valentina Serrati – visual and scenic creation and direction

Catalina Reyes – dance

Vicente Barba – electric guitars

Karem Ruiz – saxophones

Luna Morales – production and image assistant

Andrés Quezada – electroacoustic device programming

Sofía Lagos – register of the creative process

Laboratorio de Malestar consists of improvisation sessions carried out in the initial moments of the Chile's October Revolt. These sessions have the participation of musicians belonging to different bands of the national and electronic scene.

Andrés Quezada – drums

Enrique Elgueta – electric guitar, drum machine

Martín Pérez-Roa – electric bass, synthesizer

TMTQ is a quartet for soprano saxophone, tenor saxophone and two electroacoustic musicians. They present a free improvisation platform focused on real-time signal processing.

Clemente Salas – soprano saxophone

Sebastián Agurto – tenor saxophone

Francisco Riffo – electronics

Andrés Quezada – electronics

Narval Orquesta is a ensemble of eleven musicians from Santiago, Chile. They present an eclectic fusion of genres throughout their compositions, ranging from art pop, experimental rock, free jazz, electroacoustic music and various influences of contemporary classical music. Through their music they propose a critique and revision of the current musical forms, bringing together aspects of the popular music with more radical proposals, like free jazz, spectral music procedures or free improvisation, breaking down the conceptual gap that has existed between these genres for much of the history of contemporary music. In this way their compositions are a story of the current musical happening, wondering which are the new limits and problems that afflict the development of music today and what are the existing crossings between popular music and written tradition, combining different heterogeneous elements in the same sound universe.

Clemente Salas – alto saxophone, soprano saxophone

Sebastián Agurto – tenor saxophone

Valentina Bianchi – violin

Abigail Seguel – viola

Valentina Palomino – violoncello

Camilo Roca – double bass

Felipe Valdovinos – electric bass

Felipe Mellado – piano

Pablo Espinoza – vibraphone

Francisco Riffo – keyboards, electric guitar, electronics

Andrés Quezada – drums, clarinet, musical saw, electronics

Bomba Mori is an electroacoustic music trio formed in Santiago, Chile. His music unfolds as a collage of contradictory situations that flow through different musical genres.

Nicolás Fuente – turntables, processed objects, trumpet

Francisco Riffo – sampling, keyboard

Andrés Quezada – real-time processing, keyboards, clarinet

tortuganónima is a math rock band formed at the beginning of 2012 in Santiago, Chile. They are known for their use of effects and loops on guitars, lines bass nurtured in turn by pedals and spasmodic rhythms in the drums. its sound is a mix between math rock and post-rock, with some tints of progressive rock, noise rock and ambient.

Gérard Bertin – electric guitar

Gabriel Molina – electric guitar

Felipe Valdovinos – electric bass

Andrés Quezada – drums